Drishyam director Jeethu Joseph gives Dileep one of the best characters of his career, says Paresh C Palicha.
Ennu Ninte Moideen is a worthwhile effort.
Balachandra Menon has lost his touch with Njan Samvidhanam Cheyyum, writes Paresh C Palicha.
Filmmaker Sanal Kumar Sasidharan on his Oraalppokkam win, and why he is keen on retaining the independent spirit of his films.
Siblings Vineeth and Dhyan seem to be making a statement on their father Sreenivasan's work in Malayalam cinema, notes Paresh C Palicha.
Jamna Pyari remains a mediocre effort that cannot fulfill viewer expectations in this festive season., says Paresh C Palicha.
Mohanlal's Loham is not original at all, warns Paresh C Palicha.
Karma Cartel director Vinod Bharathan gives us an insight into his style of filmmaking.
Rasputin is long-delayed, and not meant for today's times, says Paresh C Palicha.
Acha Din is quite a disappointment as it lacks depth, even though it deals with a serious subject.
Love 24x7 is a promising debut by Sreebala K Menon.
'Seeing the characters you had conceived come alive, saying the lines you had written for them... or the actor giving it a totally different meaning from what you had originally thought... is unbelievable!' Sreebala K Menon tells Paresh C Palicha.
32aam Adhyayam 23aam Vaakyam is a disappointing affair because of the careless handling of the subject, says Paresh C Palicha.
With Premam, director Alphonse Putheran proves that he has the knack of presenting themes that have blockbuster written all over, writes Paresh C Palicha.
Ivide tries to tackle a lot of things but ends up satisfying none.
Swargathekkaal Sundaram is one more addition to the heap of films that leave hardly anything to be remembered,
Kumbasaaram is an over the top which has nothing new to offer.
Nee-Na is another brilliant effort by director Lal Jose.
Lailaa O Lailaa is a tacky film that wasted the resources at its disposal.
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